Cindi Lauper is writing the songs for the upcoming “Working Girl” Broadway musical. Cher’s life and career is to be the source of a 2018 Broadway show. But long before that, another woman was making her way in a man’s world (even if she was incognito) and her story was adapted for the stage as “The Ballad of Little Jo.”
Set in the late 19th century, “The Ballad of Little Jo” is inspired by a real-life story of American optimism, according to the press release, and infused with a score that evokes the folk ballads of pioneer America. It tells the story of a woman named Josephine Monaghan, originally from Boston and where unmarried pregnant daughters are banished as disgraceful, makes her way to a tough Idaho mining town where she lived as a man called “Jo” for nearly 20 years.
A young, cutting-edge theater director finds himself rebooting his career at a small conservative college in a sylvan setting in the world premiere of “& Juliet” by Robert Caisley at the New Jersey Repertory Theater in Long Branch.
Charlie Vaughn (Jacob A. Ware) is moving boxes of books, theater cards and, of course Yorick’s “skull,” into his office as the new
Nice, big, fat shout-out to Paper Mill Playhouse Saturday night during the Channel 13 screening of the 1951 version of “Show Boat” as part of its weekly Reel 13 classic movie feature.
At the end of “Show Boat” Prof. Richard Peña, currently the director of programming at the Film Society of Lincoln Center, talked about all the changes made to musical over the years including downplaying the African-American characters, changing offensive lyrics, eliminating songs.
He noted that a live performance by the Paper Mill Playhouse was videotaped for television and shown on Great Performances on PBS contains more of the songs (and fewer cuts) than any of the film versions. It also restored not only the original book of the 1927 Jerome Kern-Oscar Hammerstein but other songs and dance numbers thrown away over the years, he said.
Not the only actor on the show with stage credits, Bebe Neuwirth is a Tony Award-winning actress for roles of Nickie in the revival of Sweet Charity (1986), and Velma Kelly in the revival of Chicago (1996). Other Broadway musical roles include Morticia Addams in The Addams Family (2010), Lola in “Damn Yankees (1995) and the ensemble shows “Fosse” and revival of “Chicago.”
Patina Miller is best known for originating the role of disco diva wannabe Deloris Van Cartier in the 2009 West End and 2011 Broadway productions of Sister Act. She also starred as the Leading Player in the 2013 revival of Pippinfor which she won the Tony Award for Best Actress in a Musical.
The Tony Award nominations include, “Natasha, Pierre & The Great Comet of 1812” came out on top with 12 nominations, including Best Musical, Best Original Score for Dave Malloy, and Best Direction of a Musical for Rachel Chavkin, as well as nods for its two leads: Josh Groban and Denée Benton (both in their Broadway debuts).
Next, the woman whose LPs (look it up) I spent hours listening to in college: the great Bette Midler’s “Hello, Dolly!” earned 10 nominations, including Best Revival of a Musical and all four performance categories: Midler for Lead Actress, David Hyde Pierce for Lead Actor, Kate Baldwin for Featured Actress, and Gavin Creel for Featured Actor. I mean, was there any doubt!?
The just-opened Broadway musical “Anastasia” and the rapturously received revival of Hello, Dolly! are the top nominees of the 2017 Outer Critics Circle Awards. Both Broadway and Off-Broadway productions are eligible.
“Let’s just cut to the chase. Nat Zegree practically steals the show at Paper Mill Playhouse playing the brash — let’s make that audacious — Jerry Lee Lewis in “Million Dollar Quartet.” He ought to know what he’s doing by now as it’s the fifth time he’s played that part in the many productions of this jukebox musical about an unplanned event some say is a seminal moment in rock ‘n’ roll history.
The 2 1/2 musical features more than 20 classic hits including “Blue Suede Shoes,” “Folsom Prison Blues,” “Memories Are Made of This,” “Sixteen Tons,” “Great Balls of Fire,” “Hound Dog,” “(Ghost Riders in the Sky” and “Whole Lotta Shakin’ Goin’ On.”
McCarter Theatre just revealed a 2017-2018 season that includes the world premiere of Tony Award-winner Christopher Durang’s “Turning Off the Morning News”; a revival of Regina Taylor’s gospel musical “Crowns” that had its world premiere here 15 years ago; a rare staging of Sam Shepard’s “Simpatico” in collaboration with Chicago’s A Red Orchid Theatre, a recipient of this year’s MacArthur Award for Creative & Effective Institutions; Marie Jones’ Irish comedy “Stones in His Pocket” with two actors playing 15 plus characters. The musical biography “A Night With Janis Joplin,” written and directed by Randy Johnson, fills out the schedule.
The new musical “Hadestown,” a folk opera produced by the New York Theatre Workshop, and the immersive “Sweeney Todd: The Demon Barber of Fleet Street,” currently at the Barrow Street Theatre, each earned seven nominations in the 32nd Annual Lucille Lortel Awards for Outstanding Achievement Off-Broadway, the Off-Broadway League recently announced.
For plays, Paula Vogel’s “Indecent” and J.T. Rogers’” Oslo,” both currently on Broadway, each earned four nominations, including for Outstanding Play.
Playwrights Horizons’ “A Life” also earned four nominations, including Outstanding Lead Actor in a Play for star David Hyde Pierce and Outstanding Director Anne Kauffman, earning her fourth career Lortel Award nomination; as did MCC Theater’s “YEN,” including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor.Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year – and his seventh career nomination, including a win in 2011 – for his work on “YEN.” The newly added Outstanding Projection Design category netted a dual nomination for Peter Nigrini for his work on “Dear Evan Hansen” and “Wakey, Wakey.”