The 2018-2019 Theater Series begins with Douglas McGrath’s world premiere adaptation of ‘The Age of Innocence,” Edith Wharton’s classic gilded age love story, directed by Doug Hughes. To follow is Dominique Morisseau’s incendiary “Detroit ’67,” directed by Jade King Carroll; the world premiere of Eleanor Burgess’ “The Niceties,” a riveting look at race and history directed by Kimberly Senior; the world premiere of Ken Ludwig’s “The Gods of Comedy,” directed by Kathleen Marshall, and David Hare’s Tony Award-winning “Skylight,” directed by Emily Mann, McCarter’s Theatre artistic director and resident playwright Emily Mann. Continue reading McCarter Theatre reveals 3 world premieres for diverse 2018-2019 season
Agatha Christie + Hercule Poirot + Ken Ludwig. That’s a theater trifecta. And that’s also before you know who makes up the creative dream team for the world premiere of the stage version of “Murder on the Orient Express,” beginning three weeks of performances tonight at McCarter Theatre in Princeton. (Two more performances already have been added.)
Emily Mann, McCarter’s artistic director, is at the helm. Her team includes Tony Award-winning designers: sets by Beowulf Boritt (Act One, On the Town); costumes by William Ivey Long (15 Tony noms.; 6 wins); lighting by Ken Billington (Chicago), and sound by Darron L. West (Peter and the Starcatcher).
This is headed to Broadway, right?
It’s been a busy few weeks for New Jersey theatergoers, and critics, as the 2015-2016 season gets underway with several world premieres.
Openings last week included “Murder for Two” at the George Street Playhouse in New Brunswick, the world-premiere of “A Comedy of Tenors” at McCarter Theatre in Princeton, a revival of “The Diary of Anne Frank” at the Shakespeare Theatre of New Jersey in Madison, and the world premiere of “Bandstand,” a musical at the Paper Mill Playhouse in Millburn.
Do you like Sherlock Holmes? Did you enjoy
“The 39 Steps?” Do you like to laugh — a lot — in the theater?
And bring the kids. I’ve never seen such a mix of adults and so many young theatergoers — tweens, high schoolers, college students and young adults — as I did last night during the opening at the nearly full 1,100-seat Matthews Theatre space. It’s a co-production with the Arena Stage in Washington, DC, where it was presented earlier this year to raves.