In the New Jersey Repertory Company’s excellent, nicely staged, absorbing world premiere “The Source,” a newspaper mogul calls a late-night meeting with two of his top executives to plan a strategy to deal with a serious and potentially illegal issue.
Allegations soon will be leveled that his company hacked into the cell phone of a murdered 14-year-old girl to obtain her voice mail messages.
Illegal or not says Roland (Conan McCarty), the mogul, the company isnot going to look good to the public whose sympathies will be with the dead girl’s family.
Before Lois Lane was a ground-breaking female reporter at the Daily Planet, Edna Ferber worked at the Appleton Daily Crescent and the Milwaukee Journal, had published her first novel, and covered both the 1920 Republican and Democratic National Conventions for the United Press Association.
Before ballet choreographer Agnes de Mille created dances that advanced plot and developed character in “Oklahoma!” (1943)
and before Betty Comden, with writing partner Adolph Green, provided lyrics, libretti, and screenplays to some of the most beloved Broadway shows (such as “On the Town, 1944), Edna Ferber’s novel “Show Boat” was made into a ground-breaking Broadway musical (1926).
It’s recognized as the first “modern” American musical.
Alli Angelou was at work at the New Jersey Repertory Theater in Long Branch recently when her boss, artistic director SuzAnne Barabas, walked in and said she was going to be in their next play.
OK. Sure. No problem.
Angelou, who graduated from Middletown High School South in 2012,has been Barabas’ assistant at the professional, non-profit theater specializing in new American plays for about seven months. But that’s not why she got the job.
I’m wondering if the project Andrew Lloyd Webber alluded to but wouldn’t name on NBC’s Today show this morning is the world-premiere musical “Unmasked” that leads off the all-musicals 2018-2019 season of Paper Mill Playhouse in Millburn, NJ.
Based on his new autobiographical book of the same title being released tomorrow, it’s expected to be an intimate and sometimes unexpected interpretations of his best-loved songs, rediscovered gems and some new material specially written for this production. John Doyle directs. It runs Sept. 27-Oct. 28.
Two men. One, an aging priest whose belief that God is merciful and Jesus is his savior, has never wavered. The other, a middle-aged lapsed Catholic who’s an ICU nurse ministering to very sick people, who agonizes over what kind of God let’s good souls suffer.
Both men are passionate about helping people. Both are deeply concerned about human life and death. Both come to drastically different conclusions about God’s purpose in all of this. And both believe he is right.
El Coqui, a small nocturnal arboreal frog native to Puerto Rico with a high-pitched call that was introduced into Hawaii and southern Florida, now has invaded New Jersey.
But in this case El Coquí is a human-sized Puerto Rican superhero who gets his power from a vejigante carnival mask in the world premiere play “El Coquí Espectacular and the Bottle of Doom” at the Two River Theater in Red Bank now through Feb. 4.