Joe Iconis, an acclaimed New York City-based musical theater writer whose “Be More Chill” premiered at Two River Theater Company in 2015, is returning to headline a fundraiser for the much-admired regional theater in Red Bank, NJ.
“An Evening with Joe Iconis and Family” is scheduled for 7 p.m. Saturday, May 19, and will benefit the Joan and Robert Rechnitz Theater, the 350-seat main stage space named after the theater’s founders. All proceeds will support programs for the development of new musical theater. The company, which is scheduled to announce its 25th anniversary season on April 23, also stages works in its 99-seat black box theater.
St. Patrick’s Day is in the rearview mirror but two weeks from today Brain Friel’s “Dancing at Lughnasa,” winner of the 1992 Tony Award for Best Play, begins performances at Two River Theater in Red Bank. Opening night is April 20.
Friel’s play — set in the summer of 1936 during the Celtic harvest festival of Lughnasa — is considered a modern masterpiece about the Mundy sisters, five unmarried women who live together in County Donegal, on the west coast of Ireland. Their brother, Father Jack, has just returned from 25 years as a missionary in Uganda.
Two River Theater in Red Bank, NJ, is swapping out “Ooo-Bla-Dee,” written by Regina Taylor and the last play of the season (June 9-July 1), for “Songbird,” written by Michael Kimmel with music and lyrics by Lauren Pritchards, so that Ruben Santiago-Hudson can make his directorial debut at Shakespeare in the Park with “Othello” in Manhattan.
Well that certainly beats “My dog ate my script” excuse. And congrats Mr. RSH. Hope to snag one of those free tickets this summer
El Coqui, a small nocturnal arboreal frog native to Puerto Rico with a high-pitched call that was introduced into Hawaii and southern Florida, now has invaded New Jersey.
But in this case El Coquí is a human-sized Puerto Rican superhero who gets his power from a vejigante carnival mask in the world premiere play “El Coquí Espectacular and the Bottle of Doom” at the Two River Theater in Red Bank now through Feb. 4.
It’s always amazed me how insults delivered with an upper-class English accent don’t sound so harsh.
For instance, “I never saw anybody take so long to dress, and with such little result,” which appears in Act II of the laugh-a-minute comedy “The Importance of Being Earnest” by Oscar Fingal O’Flahertie Wills Wilde.
“You people,” says the man from the all-white Clybourne Park Welcoming Committee — repeatedly —to the Younger family living in a one-bedroom rundown apartment on the South Side of Chicago in the 1950s.
He’s so polite that the Younger family, at first, believe Mr. Lindner (Nat DeWolf) is sincere until it becomes clear he’s not. He’s there to offer them more money than the purchase price of their new three-bedroom house so that their neighborhood won’t be sullied by black people.
The dream of leaving a cramped cockroach invested apartment where the shared bathroom is down the hall, for an airy suburban home with a yard waiting for a garden, is so visceral it took them a few minutes to realize his visit was about race, not open arms.
“Raisin in the Sun” opens tonight at the Two River Theater Company in Red Bank with a cast that would do a Broadway production proud. It includes Jasmine Batchelor (Beneatha Younger), Nat DeWolf (Karl Lindner), Crystal A. Dickinson (Ruth Younger), Brandon J. Dirden(Walter Lee Younger), Willie Dirden (Bobo), Charlie Hudson III (Joseph Asagai), Brenda Pressley (Lena Younger), Owen Tabaka (Travis Younger), and York Walker (George Murchison). Andrew Binger and David Joel Rivera play the Moving Men.
Cindi Lauper is writing the songs for the upcoming “Working Girl” Broadway musical. Cher’s life and career is to be the source of a 2018 Broadway show. But long before that, another woman was making her way in a man’s world (even if she was incognito) and her story was adapted for the stage as “The Ballad of Little Jo.”
Set in the late 19th century, “The Ballad of Little Jo” is inspired by a real-life story of American optimism, according to the press release, and infused with a score that evokes the folk ballads of pioneer America. It tells the story of a woman named Josephine Monaghan, originally from Boston and where unmarried pregnant daughters are banished as disgraceful, makes her way to a tough Idaho mining town where she lived as a man called “Jo” for nearly 20 years.