Category Archives: New Jersey Repertory Company

Edna Ferber festival features 5 new one-acts, ‘Selina Peake’ reading

Why have so few people heard of Edna Ferber?

Before Lois Lane was a ground-breaking female reporter at the Daily Planet, Edna Ferber worked at the Appleton Daily Crescent and the Milwaukee Journal, had published her first novel, and covered both the 1920 Republican and Democratic National Conventions for the United Press Association.
Before ballet choreographer Agnes de Mille created dances that advanced plot and developed character in “Oklahoma!” (1943)

and before Betty Comden, with writing partner Adolph Green, provided lyrics, libretti, and screenplays to some of the most beloved Broadway shows (such as “On the Town, 1944), Edna Ferber’s novel “Show Boat” was made into a ground-breaking Broadway musical  (1926).

It’s recognized as the first “modern” American musical.

Continue reading Edna Ferber festival features 5 new one-acts, ‘Selina Peake’ reading

Alli Angelou juggles grad school, job, and stage debut with NJRep

Alli Angelou, Lincroft section of Middletown, is in the world premiere of "Wild Horses," a coming-of-age story running at the New Jersey Repertory, New Jersey Repertory Company, 179 Broadway in Long Branch Company.
Alli Angelou is in the world premiere of “Wild Horses,” a coming-of-age story running at the New Jersey Repertory Company in Long Branch Company. (PHOTO: SuzAnne Barabas)

Alli Angelou was at work at the New Jersey Repertory Theater in Long Branch recently when her boss, artistic director SuzAnne Barabas, walked in and said she was going to be in their next play.

OK. Sure. No problem.

Angelou, who graduated from Middletown High School South in 2012, has been Barabas’ assistant at the professional, non-profit theater specializing in new American plays for about seven months. But that’s not why she got the job.

“She knew I could sing,” Angelou said. Continue reading Alli Angelou juggles grad school, job, and stage debut with NJRep

‘Wild Horses’ takes you on a journey to the crazy summer of 1972

Estelle Bajou in the National New Play Network world premiere roll out of "Wild Horses" by Allison Gregory. (PHOTO: SuzAnne Barabas)
Estelle Bajou in the National New Play Network world premiere roll out of “Wild Horses” by Allison Gregory. (PHOTO: SuzAnne Barabas)

The Women with no name walks into a karaoke bar (a former Tastee-Freeze) in Anywhere, U.S.A. in 1996 packed with people who’ve been there for awhile.

She orders a drink, listens to the singers while observing  the crowd, and as it slowly thins out sits at a table and starts talking about the summer of 1972 when “A Horse with No Name” was rockin’ the charts and a local radio station was running a contest to name it.

Continue reading ‘Wild Horses’ takes you on a journey to the crazy summer of 1972

God’s mercy, a priest’s responsibility at center of new NJ Rep play

Ames Adamson (left) and Jared Michael Delaney in "The Calling," a world premiere by Joel Stone playing at New Jersey Repertory Company in Long Brand, NJ, through February 4, 2018. (PHOTO: SuzAnne Barabas)
Ames Adamson (left) and Jared Michael Delaney in “The Calling,” a world premiere by Joel Stone playing at New Jersey Repertory Company in Long Brand, NJ, through February 4, 2018. (PHOTO: SuzAnne Barabas)

Two men. One, an aging priest whose belief that God is merciful and Jesus is his savior, has never wavered. The other, a middle-aged lapsed Catholic who’s an ICU nurse ministering to very sick people, who agonizes over what kind of God let’s good souls suffer.

Both men are passionate about helping people. Both are deeply concerned about human life and death. Both come to drastically different conclusions about God’s purpose in all of this. And both believe he is right.

That’s the premise of Joel Stone’s interesting two-hander “The Calling,” receiving its world premiere through Feb. 4 at the New Jersey Repertory Company, 179 Broadway, Long Branch. Continue reading God’s mercy, a priest’s responsibility at center of new NJ Rep play

‘Mutual Philanthropy’ explores millionaires and struggling families

From left, Lauren Casillo, Jim Macdonald, Joseph Carlson and Vivia Font in the East Coast premiere of Karen Rizzo's "Mutual Philanthropy." (PHOTO: Andrea Phox)
From left, Lauren Casillo, Jim Macdonald, Joseph Carlson and Vivia Font in the East Coast premiere of Karen Rizzo’s “Mutual Philanthropy.” (PHOTO: Andrea Phox)

American millionaires in the 21st century have changed.

No longer are they a monolithic group of white Anglo-Saxon Protestants who disproportionately control social and financial power and trace their ancestry back to the Revolution.

They are post Woodstock grand-babies of baby boomers who got a good education (or dropped out to create a start-up) and found success in jobs such as finance, the media, entertainment, and more recently the tech industry, and represent diverse ethnicities.

But they feel a bit guilty about it. They reject being a conspicuous consumer. That, they rationalize, is  for the one percenters.

Playwright Karen Rizzo explores what happens when a rich couple — they call it “being comfortable” — tries to close the economic inequality gap between themselves and another couple in the East Coast premiere of the 90-minute play “Mutual Philanthropy” directed by Evan Bergman at the New Jersey Repertory Theater in Long Branch. Continue reading ‘Mutual Philanthropy’ explores millionaires and struggling families

5th Theater Brut fest of plays, music, art opens today at West End Arts

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The New Jersey Repertory Company is throwing a coming out party for its new West End Arts Center during the first week of October with a Theater Brut arts festival featuring 28 new short plays, plus music, poetry, art and photography events.

This is the fifth Theatre Brut (pronounced brew) for the professional, non-profit theater founded in 1997 and the most ambitious since it acquired the 28,000 square-foot former grammar school in the West End section of Long Branch as a second space.

Theater Brut’s stated goal is to foster the “creative impulse unfettered by social and artistic convention.” That objective also could be applied to the founders, artistic director SuzAnne Barabas and executive producer Gabor Barabas.

Instead of going the traditional route of first raising money to fund a complete renovation before opening the doors to the public — which could take years, not counting building a cinema arts theater and apartments for visiting artists as well — the decision was made to create programming and invite the public in as soon as possible.

Continue reading 5th Theater Brut fest of plays, music, art opens today at West End Arts

NFL player rails against head injuries in new play ‘Halftime With Don’

Don Devers, a retired NFL player and widower, who now lives alone in a sparsely furnished apartment sleeping in an upholstered recliner and living on Pringles and Gatorade, is at the center of Ken Weitzman’s “Halftime With Don,” the latest world premiere play to be staged by the New Jersey Repertory Company in Long Branch.

Devers, wonderfully played by Malachy Cleary, has chronic traumatic encephalopathy (CTE), a degenerative disease found in people who have taken repeated blows to the head. He can’t really know this for sure because he needs to be dead before his brain can be studied.

His symptoms include disorientation, memory loss, social instability, erratic behavior, and poor judgment — but don’t get the idea this two-act play that continues through July 30 is a downer. You might find yourself getting a little misty-eyed at times, but there are plenty of laughs and by the end you’ll be smiling.

Devers says football is not a contact sport, it’s a collision sport. Although his mother forbade him to play, he did anyway, in secret. Not a marquee player, he was known for helping players he knocked down get back up — and warned them he’d do it again if they got in his way.

Yet every single day he misses playing ball and would do it all again. And that can make it hard to sympathize with his illness, at first. But who among us hasn’t made choices that aren’t good for us and we ultimately pay the piper?

Like King Lear railing against the storm, Don rails against the loss of his mind, his deteriorating body and erratic rages, and decides enough is enough. He comes up with a plan for the approaching Super Bowl Sunday.

His self-imposed isolation from the world is broken by Ed Ryan (Dan McVey) who comes knocking at his door eager to meet Devers, his idol and substitute father figure from childhood. Having recently lost his job, he’s hoping Devers will give him the ol’ inspiring half-time locker room speech that gets him back in the “game.”

Lori Vega is making a superb NJ Rep debut as Devers’ potty-mouth daughter Stephanie, an accountant with attitude, who is heavily pregnant by a married football player with a family he intends to keep.

Stephanie moved her father into an apartment closer to her and hired the nurses he refuses to let in to take care of him. Nor does he want to see his daughter. But not for the reason she thinks.

Rounding out the cast is Susan Maris, who plays Ed’s wife  Sarah. She, too, is pregnant and the two women bond immediately. But Ed and Sarah? Communication has been a bit rough recently.

A bit more info from the playwright on how Don and Stephanie got along before their estrangement, and why Sarah and Ed don’t seem to click as well as a couple would be helpful.

Nicely directed by Kent Nicholson (including the best use of Post-It notes I’ve seen on stage), the two-hour play moves along on the small two-level set designed by Jessica Parker and lit by Jill Nagle. Patricia E. Doherty designed the costumes.

This article first was published in the June 22-29, 2017 print edition of The Two River Times. 

 NEW JERSEY REPERTORY COMPANY

179 Broadway, Long Branch

Performances 8 p.m. Thursdays and Fridays; 3 and 8 p.m. Saturdays, and 2 p.m. Sundays through July 30. 

Tickets are $46 and available at 732-229-3166 or online at njrep.org.

As part of the National New Play Network Rolling World Premiere, following the production of “Halftime with Don”  at NJ Rep, the play will be performed at B Street Theater in Sacramento, CA.,  and Phoenix Theater in Indianapolis, IN.

 

NJ Repertory’s ‘& Juliet’ has world premiere

From left, John FitzGibbon, Jacob A. Ware and Nadia Brown in "& Juliet." (PHOTO: SuzAnne Barabas)
From left, John FitzGibbon, Jacob A. Ware and Nadia Brown in “& Juliet.” (PHOTO: SuzAnne Barabas)

A young, cutting-edge theater director finds himself rebooting his career at a small conservative college in a sylvan setting in the world premiere of “& Juliet” by Robert Caisley at the New Jersey Repertory Theater in Long Branch.

Charlie Vaughn (Jacob A. Ware) is moving boxes of books, theater cards and, of course Yorick’s “skull,” into his office as the new

semester begins. He soon is joined by David Hughes (John FitzGibbon), a theater professor who has taught at the college for 30 years and had expected to move into the corner office with the grand view himself. Continue reading NJ Repertory’s ‘& Juliet’ has world premiere

‘Multiple Family Dwelling’ play about family secrets

Two couples are deep into the booze following a long afternoon at a birthday party for an 8-year-old girl. The light-hearted conversation, though, begins to veer off course. A slight insult here. A confusing comment there. Innuendo everywhere.

From left, Tia (Dana Brooke) plans to move to move into the second floor apartment in the home of James (Dustin Charles) and Kelly (Maria Couch), with her fiancé.

Then there’s awkwardness as one couple starts making out. That would be Tia (Dana Brooke) and her fiancee Stuart (Jared Michael Delaney) who plan to move into the second floor apartment in the home of Kelly (Maria Couch) and James (Dustin Charles), a married couple who bought the place hoping gentrification gets there soon, real soon. It was their daughter Olivia’s party.

It made me think a little about “Who’s Afraid of Virginia Wolff,” another play with two drunk couples, an unseen child and toxic relationships that thrive on taunting, nefarious games and  emotional abuse.

Continue reading ‘Multiple Family Dwelling’ play about family secrets

‘Mad Love’ at NJRep continues thru Nov. 20

Alex Trow and Graham Techler in "Mad Love" at New Jersey Repertory Theater, Long Branch, NJ
Alex Trow and Graham Techler in “Mad Love” at New Jersey Repertory Theater, Long Branch, NJ

“Mad Love,” a romantic comedy for cynical times, according to its subtitle, is about people trying to connect — first intimately, then socially.

One could say it’s usually better to get to know a person before you jump into bed with them, but that’s not the way things always work in these modern times.

This four-character, 90-minute play is by Marisa Smith,  whose “Saving Kitty” was staged in 2013 at the New Jersey Repertory theater in Long Branch, NJ, is directed by Evan Bergman.

Continue reading ‘Mad Love’ at NJRep continues thru Nov. 20