If you love musical theater, the man who reinvented the Broadway musical and his muse, star in the new limited series “Fosse/Verdon starring Sam Rockwell and Michelle Williams beginning tonight at 10 p.m. on FX TV.
The Paper Mill Playhouse has released a video of its world premiere of “The Honeymooners,” now in previews, opening Sunday (Oct. 8) in Millburn, NJ. Michael McGrath as Ralph Kramden, Michael Mastro as Ed Norton, Leslie Kritzer as Alice Kramden, and Tony Award-nominee Laura Bell Bundy as Trixie Norton. Lewis J. Stadlen plays Old Man Faciamatta, Lewis Cleale is Bryce Bennett, and David Wohl is Allen Upshaw.
Cindi Lauper is writing the songs for the upcoming “Working Girl” Broadway musical. Cher’s life and career is to be the source of a 2018 Broadway show. But long before that, another woman was making her way in a man’s world (even if she was incognito) and her story was adapted for the stage as “The Ballad of Little Jo.”
Set in the late 19th century, “The Ballad of Little Jo” is inspired by a real-life story of American optimism, according to the press release, and infused with a score that evokes the folk ballads of pioneer America. It tells the story of a woman named Josephine Monaghan, originally from Boston and where unmarried pregnant daughters are banished as disgraceful, makes her way to a tough Idaho mining town where she lived as a man called “Jo” for nearly 20 years.
Nice, big, fat shout-out to Paper Mill Playhouse Saturday night during the Channel 13 screening of the 1951 version of “Show Boat” as part of its weekly Reel 13 classic movie feature.
At the end of “Show Boat” Prof. Richard Peña, currently the director of programming at the Film Society of Lincoln Center, talked about all the changes made to musical over the years including downplaying the African-American characters, changing offensive lyrics, eliminating songs.
He noted that a live performance by the Paper Mill Playhouse was videotaped for television and shown on Great Performances on PBS contains more of the songs (and fewer cuts) than any of the film versions. It also restored not only the original book of the 1927 Jerome Kern-Oscar Hammerstein but other songs and dance numbers thrown away over the years, he said.
“Let’s just cut to the chase. Nat Zegree practically steals the show at Paper Mill Playhouse playing the brash — let’s make that audacious — Jerry Lee Lewis in “Million Dollar Quartet.” He ought to know what he’s doing by now as it’s the fifth time he’s played that part in the many productions of this jukebox musical about an unplanned event some say is a seminal moment in rock ‘n’ roll history.
The 2 1/2 musical features more than 20 classic hits including “Blue Suede Shoes,” “Folsom Prison Blues,” “Memories Are Made of This,” “Sixteen Tons,” “Great Balls of Fire,” “Hound Dog,” “(Ghost Riders in the Sky” and “Whole Lotta Shakin’ Goin’ On.”
This will be short and sweet and fun, if you are a fan of musicals — movie musicals, that is, especially “La La Land.” Sara Preciado of the /Film blog definitely knows her MM stuff. She posted a short video on Vimeo that took a lot of time, pointing out “La La Land” movie references .
“You could make a killing, but not a living, in the theater,” said playwright Robert Anderson in a 1966 Christian Science Monitor interview about “Tea and Sympathy,” his successful first Broadway play that was turned into a movie. Anderson couldn’t recreate that same success on stage and turned to teaching and writing Hollywood screenplays.
About 75 percent of Broadway shows — musicals and plays — don’t recoup their investment let alone make money for investors. In NY state there is a strict legal formula concerning who gets paid first (Hint: It’s not Max Bialystock). But that’s not what we’re talking about now. Lucky investors of the original production of “Jersey Boys,” the 12th longest running show on Broadway that grossed more than $2 billion worldwide, told the NYTimes in an article published today (1/15/17), they made back about 22 percent on their original investments.
“The Bodyguard” begins with a bang — a gun shot, actually — that made every single theatergoer in the 1,200-seat Paper Mill Playhouse jump. It ends with pop music star Rachel Madden, elevated above the audience — alone in the spotlight.
First produced in London in 2012 and recently revived, the American production ends its 5-week U.S. debut this weekend and continues its national tour Jan. 10-15 at the Orpheum Theatre in Minneapolis, the second site for the 20 American cities tour. More dates are expected to be announced. Most of the tour consists of 5-day stints, but several cities are booked for two- to three-week sit downs, including Chicago, Los Angeles and Costa Mesa. (Complete schedule below)
It’s the slickest production I’ve ever seen at the Millburn, NJ, a nonprofit venue that has become a launch pad for Broadway musicals recently, including “Newsies,” “Honeymoon in Vegas,” and earlier this month “A Bronx Tale.” “Bandstand,” which premiered there in 2015 is scheduled to make its Broadway debut April 2017.