Not the only actor on the show with stage credits, Bebe Neuwirth is a Tony Award-winning actress for roles of Nickie in the revival of Sweet Charity (1986), and Velma Kelly in the revival of Chicago (1996). Other Broadway musical roles include Morticia Addams in The Addams Family (2010), Lola in “Damn Yankees (1995) and the ensemble shows “Fosse” and revival of “Chicago.”
Patina Miller is best known for originating the role of disco diva wannabe Deloris Van Cartier in the 2009 West End and 2011 Broadway productions of Sister Act. She also starred as the Leading Player in the 2013 revival of Pippinfor which she won the Tony Award for Best Actress in a Musical.
The Tony Award nominations include, “Natasha, Pierre & The Great Comet of 1812” came out on top with 12 nominations, including Best Musical, Best Original Score for Dave Malloy, and Best Direction of a Musical for Rachel Chavkin, as well as nods for its two leads: Josh Groban and Denée Benton (both in their Broadway debuts).
Next, the woman whose LPs (look it up) I spent hours listening to in college: the great Bette Midler’s “Hello, Dolly!” earned 10 nominations, including Best Revival of a Musical and all four performance categories: Midler for Lead Actress, David Hyde Pierce for Lead Actor, Kate Baldwin for Featured Actress, and Gavin Creel for Featured Actor. I mean, was there any doubt!?
The just-opened Broadway musical “Anastasia” and the rapturously received revival of Hello, Dolly! are the top nominees of the 2017 Outer Critics Circle Awards. Both Broadway and Off-Broadway productions are eligible.
No doubt, at least in my mind, that this is the best Tony Award show opening number ever. Even Broadway pros are looking around with their mouths hanging open in astonishment (look for Debra Messing’s swiveling head). It’s not just the look, it’s the clever lyrics and jokes that bring the spectacle to a higher level.
But what else would you expect from the guys who wrote the specialty song “Bigger” — Tony Award winners Tom Kitt and the pre-“Hamilton” genius Lin-Manuel Miranda.
Give a playhouse the Regional Theatre Tony Award in 2016 and watch it turn its 2017-2018 season into one featuring two world premieres — which have all the earmarks of potential Broadway transfers — and two East Coast premieres.
“La La Land” joined “Titanic” and “All About Eve” last week as the latest movie to earn the most Oscar nominations ever. If you haven’t seen the latter lately, tune in to TCM 8 tonight to re-watch one of the best classic films about the theater ev-uh.
It stars Bette Davis as Margo Channing as an aging Broadway star. Anne Baxter is Eve Harrington, who is young and hungry and wants Margo’s life — all of it. She attached herself to the star like a leach.
This will be short and sweet and fun, if you are a fan of musicals — movie musicals, that is, especially “La La Land.” Sara Preciado of the /Film blog definitely knows her MM stuff. She posted a short video on Vimeo that took a lot of time, pointing out “La La Land” movie references .
“You could make a killing, but not a living, in the theater,” said playwright Robert Anderson in a 1966 Christian Science Monitor interview about “Tea and Sympathy,” his successful first Broadway play that was turned into a movie. Anderson couldn’t recreate that same success on stage and turned to teaching and writing Hollywood screenplays.
About 75 percent of Broadway shows — musicals and plays — don’t recoup their investment let alone make money for investors. In NY state there is a strict legal formula concerning who gets paid first (Hint: It’s not Max Bialystock). But that’s not what we’re talking about now. Lucky investors of the original production of “Jersey Boys,” the 12th longest running show on Broadway that grossed more than $2 billion worldwide, told the NYTimes in an article published today (1/15/17), they made back about 22 percent on their original investments.
The “Hamilton” effect — that is, how the successful Broadway musical has had impact in the most unexpected places — will be center stage on Jan. 18 when the auction house Sotheby’s sells a hundreds of Alexander Hamilton’s manuscripts and letters — some of which are unknown — that for years were stored in a trunk in a descendant’s basement
The collection, which has been held by Hamilton heirs for 200 years, has not been fully cataloged, according to the NYTimes. “But Sotheby’s said it contained many personal items, including love letters from Hamilton to his wife, Eliza, and a condolence letter her father, Philip Schuyler, sent her after Hamilton’s fatal duel with Aaron Burr, sealed with black wax.”
“The Bodyguard” begins with a bang — a gun shot, actually — that made every single theatergoer in the 1,200-seat Paper Mill Playhouse jump. It ends with pop music star Rachel Madden, elevated above the audience — alone in the spotlight.
First produced in London in 2012 and recently revived, the American production ends its 5-week U.S. debut this weekend and continues its national tour Jan. 10-15 at the Orpheum Theatre in Minneapolis, the second site for the 20 American cities tour. More dates are expected to be announced. Most of the tour consists of 5-day stints, but several cities are booked for two- to three-week sit downs, including Chicago, Los Angeles and Costa Mesa. (Complete schedule below)
It’s the slickest production I’ve ever seen at the Millburn, NJ, a nonprofit venue that has become a launch pad for Broadway musicals recently, including “Newsies,” “Honeymoon in Vegas,” and earlier this month “A Bronx Tale.” “Bandstand,” which premiered there in 2015 is scheduled to make its Broadway debut April 2017.